{"id":948,"date":"2025-12-08T19:59:36","date_gmt":"2025-12-08T18:59:36","guid":{"rendered":"https:\/\/williamchevillon.fr\/?p=948"},"modified":"2025-12-08T20:06:08","modified_gmt":"2025-12-08T19:06:08","slug":"joel-dabin-la-ville-la-scene-le-territoire","status":"publish","type":"post","link":"https:\/\/williamchevillon.fr\/index.php\/2025\/12\/08\/joel-dabin-la-ville-la-scene-le-territoire\/","title":{"rendered":"Jo\u00ebl Dabin\u00a0: la ville, la sc\u00e8ne, le territoire"},"content":{"rendered":"\n
\n

Le pr\u00e9sent billet s’inscrit dans une r\u00e9flexion au long cours sur l’art dans l’espace public. Son sujet sera davantage abord\u00e9 dans un projet \u00e9ditorial \u00e0 venir.<\/p>\n<\/blockquote>\n\n\n\n

Laur\u00e9at du prix Lafont de la Ville de Nantes en 1961, Jo\u00ebl Dabin (1933-2003) est de ces artistes pr\u00e9sents dans leur r\u00e9gion de naissance et pourtant fondus dans le paysage au point de n\u2019\u00eatre que peu visibles. Je ne me souviens pas de son \u0153uvre dans l\u2019\u00e9cole o\u00f9 j\u2019ai \u00e9t\u00e9 \u00e9l\u00e8ve, je l\u2019ai d\u00e9couverte il y a quinze ans au hasard d\u2019un feuillet conserv\u00e9 dans la s\u00e9rie W (celle consacr\u00e9e aux pi\u00e8ces contemporaines) des archives municipales. \u00c0 La Roche-sur-Yon, Ch\u00e2teaubriant, Rennes ou Paimboeuf, les \u0153uvres r\u00e9alis\u00e9es par Jo\u00ebl Dabin dans le cadre du 1 % artistique constellent le Grand Ouest.<\/p>\n\n\n\n

\"Jo\u00ebl
Jo\u00ebl Dabin, ensemble pictural de l’\u00e9glise Notre-Dame-de-l’Assomption de Mouais, vers 1969.<\/figcaption><\/figure>\n\n\n\n

Jouissant d\u2019une belle r\u00e9putation, il multiplie les expositions de tableaux \u00e0 l\u2019international, r\u00e9pond \u00e0 des commandes monumentales ou dessine des costumes de sc\u00e8ne. Pass\u00e9 par l\u2019abstraction, il a su appr\u00e9cier l\u2019action painting am\u00e9ricaine, jouant d\u2019une application directe de la couleur. Cette p\u00e9riode qui semble ici une parenth\u00e8se dans sa carri\u00e8re est cependant d\u00e9terminante en ceci que le geste spontan\u00e9 a longtemps \u00e9t\u00e9 une marque de Jo\u00ebl Dabin. Il s\u2019est en effet attach\u00e9 \u00e0 produire des \u0153uvres figuratives et symbolistes empreintes d\u2019envol\u00e9es libres. C\u2019est ce qui ressort du d\u00e9cor verrier et pictural de l\u2019\u00e9glise de Mouais (Loire-Atlantique) qui, r\u00e9alis\u00e9 en lien avec l\u2019architecte des monuments historiques Charles Choisel et l’atelier de vitrail Latteux-Bazin, veut repr\u00e9senter une progression vers une image n\u00e9cessairement id\u00e9alis\u00e9e du Paradis. Dans une commune d\u2019environ 350 habitants en 1969, un tel programme d\u00e9note d\u2019autant plus que le sculpteur r\u00e9gionaliste breton Jean Fr\u00e9our compl\u00e8te la poutre de gloire de repr\u00e9sentations de Marie et saint Jean.<\/p>\n\n\n\n

\"\"
Jean Fr\u00e9our, statues de Marie et saint Jean, \u00e9glise Notre-Dame-de-l’Assomption de Mouais, 1968.<\/figcaption><\/figure>\n\n\n\n
\"Jo\u00ebl
Jo\u00ebl Dabin, ensemble pictural de l’\u00e9glise Notre-Dame-de-l’Assomption de Mouais, vers 1969. D\u00e9tail sur un ange.<\/figcaption><\/figure>\n\n\n\n

Enfantine, car adapt\u00e9e \u00e0 son espace de r\u00e9alisation, l\u2019\u0153uvre Les fonds marins et les courants<\/em> (\u00e9cole Laennec, La Roche-sur-Yon) est ex\u00e9cut\u00e9e au m\u00eame moment. Elle est un grand tableau \u00e0 hauteur d\u2019\u00e9colier. Sur le mur du gymnase donnant sur la cour de r\u00e9cr\u00e9ation, Dabin propose une mosa\u00efque faite de p\u00e2te de verre, de mat\u00e9riaux constructifs, de galets et d\u2019enduits color\u00e9s. Tentaculaire et aux formes multiples, c\u2019est un monde marin imaginaire qui se dessine \u00e0 travers le mur de b\u00e9ton. L\u2019\u0153uvre, tactile, est accessible. Elle fixe le mouvement sur la surface. Un principe qui guidera Jo\u00ebl Dabin tout au long de sa carri\u00e8re, dont la mosa\u00efque r\u00e9alis\u00e9e \u00e0 La Roche-sur-Yon n\u2019est qu\u2019un \u00e9chantillon bien partiel.<\/p>\n\n\n\n

\"Jo\u00ebl
Jo\u00ebl Dabin, Les fonds marins et les courants, La Roche-sur-Yon, 1969-70.<\/figcaption><\/figure>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Le pr\u00e9sent billet s’inscrit dans une r\u00e9flexion au long cours sur l’art dans l’espace public. Son sujet sera davantage abord\u00e9 dans un projet \u00e9ditorial \u00e0 venir. Laur\u00e9at du prix Lafont de la Ville de Nantes en 1961, Jo\u00ebl Dabin (1933-2003) est de ces artistes pr\u00e9sents dans leur r\u00e9gion de naissance et pourtant fondus dans le […]<\/p>\n","protected":false},"author":1,"featured_media":953,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[29,85,15,9],"class_list":["post-948","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-propos-culturels","tag-art-contemporain","tag-histoire-de-lart","tag-la-roche-sur-yon","tag-patrimoine"],"yoast_head":"\nJo\u00ebl Dabin\u00a0: la ville, la sc\u00e8ne, le territoire - William Chevillon<\/title>\n<meta name=\"description\" content=\"Jo\u00ebl Dabin\u00a0: la ville, la sc\u00e8ne, le territoire Propos culturels William Chevillon\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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