{"id":600,"date":"2023-03-26T18:36:49","date_gmt":"2023-03-26T16:36:49","guid":{"rendered":"https:\/\/williamchevillon.fr\/?p=600"},"modified":"2024-03-27T14:37:27","modified_gmt":"2024-03-27T13:37:27","slug":"barto-et-les-amers-de-la-ville","status":"publish","type":"post","link":"https:\/\/williamchevillon.fr\/index.php\/2023\/03\/26\/barto-et-les-amers-de-la-ville\/","title":{"rendered":"Barto et les amers de la ville"},"content":{"rendered":"\n
\n

Fragments en hommage \u00e0 Bernard Barto, mars 1937-mars 2023.<\/p>\n<\/blockquote>\n\n\n\n

\u00c0 quelque endroit des ann\u00e9es 1970 un vieux cin\u00e9ma paroissial du centre-ville de La Roche-sur-Yon est repris en gestion par un op\u00e9rateur priv\u00e9. Dans cette m\u00eame ville Louis Soullard a livr\u00e9 le d\u00e9cor de b\u00e9ton du passage Foch et l\u2019on vient d\u2019\u00e9riger trois totems cin\u00e9tiques de Yaacov Agam, Carlos Cruz-Diez et Nicolas Sch\u00f6ffer. Bien plus loin, sur la c\u00f4te \u00e0 Saint-Jean-de-Monts, Ren\u00e9 Naulleau obtient de r\u00e9aliser le programme immobilier Arc-en-Ciel tandis qu\u2019\u00e0 Fontenay-le-Comte les premiers transformateurs \u00e9lectriques sortent de l\u2019usine dessin\u00e9e par Georges Mathieu. Les Trente Glorieuses sont encore palpables, le territoire cro\u00eet fa\u00e7on rhizome et se modernise tant bien que mal.  <\/p>\n\n\n\n

\u00c0 quelque endroit des ann\u00e9es 1970 un vieux cin\u00e9ma est repris en gestion ; Ren\u00e9 Naulleau doit l\u2019agrandir et le mettre au go\u00fbt du jour. Une salle de 1936 et un b\u00e2timent de 1953 subsistent. Un agrandissement est projet\u00e9 sur le parcellaire voisin mais l\u2019architecte se heurte \u00e0 l\u2019imp\u00e9ratif esth\u00e9tique d\u2019unifier des fa\u00e7ades de hauteur et de dimensions diff\u00e9rentes. Dans des rues s\u00e8ches au regard, dessin\u00e9es par les Ponts et chauss\u00e9es selon des principes de fonctionnalit\u00e9 et de luminosit\u00e9, le moindre accroc bouleverse un \u00e9quilibre d\u00e9j\u00e0 malmen\u00e9 par le mitage. Ren\u00e9 Naulleau soumet son projet de cin\u00e9ma au jeune plasticien Bernard Barto. Ce dernier sugg\u00e8re une coque de b\u00e9ton et des trames de n\u00e9on, rien de plus. Celui qui a d\u00e9j\u00e0 mis en couleur les usines Esswein et Big-Chief ainsi que le palais des sports de Beaulieu sait que l\u2019intervention la plus pertinente est aussi celle qui se fait la plus sobre.<\/p>\n\n\n\n

\"\"
Le cin\u00e9ma Concorde, La Roche-sur-Yon, 1976-1977. Photo : Barto<\/figcaption><\/figure>\n\n\n\n

Le principe est simple : des traits de perspective dans la rue, le hall et les escaliers, des pans qui s\u2019\u00e9moussent suivant les fa\u00eetages. Simples, les mati\u00e8res le sont aussi : b\u00e9ton peint, verre, plexiglass. C\u2019est parce qu\u2019elle est la plus \u00e9l\u00e9mentaire que cette architecture est la plus radicale et la plus audacieuse, identitaire autant que furtive. \u00c0 Nantes, les Barto, Bernard et Clotilde, investissent la rue Cr\u00e9billon, la passerelle Sch\u0153lcher, l\u2019h\u00f4tel La P\u00e9rouse, le mobilier du tramway ou encore le p\u00f4le Magellan qui, au soir tomb\u00e9, se fond dans le halo des cand\u00e9labres de l\u2019avenue Bonduelle.<\/p>\n\n\n\n

\"\"
Barto + Barto, Sans titre, Nantes, 1981. Photo : William Chevillon<\/figcaption><\/figure>\n\n\n\n

Les littoraux ont leurs amers ; sans bouleverser le paysage, souvent ils s\u2019y fondent, ils sont des pivots dans sa lecture. Les Barto b\u00e2tissent les leurs. Ils l\u00e8guent un t\u00e9moignage temporel en respectant la forme urbaine et en s\u2019adaptant \u00e0 ses contraintes. L\u2019art et l\u2019architecture comme une chasuble sur la ville ainsi que pareils \u00e0 un miroir de l\u2019existant.<\/p>\n\n\n\n

Lire aussi : 110 ans de cin\u00e9ma rue Gouvion<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Fragments en hommage \u00e0 Bernard Barto, mars 1937-mars 2023. \u00c0 quelque endroit des ann\u00e9es 1970 un vieux cin\u00e9ma paroissial du centre-ville de La Roche-sur-Yon est repris en gestion par un op\u00e9rateur priv\u00e9. Dans cette m\u00eame ville Louis Soullard a livr\u00e9 le d\u00e9cor de b\u00e9ton du passage Foch et l\u2019on vient d\u2019\u00e9riger trois totems cin\u00e9tiques de […]<\/p>\n","protected":false},"author":1,"featured_media":603,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-600","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-propos-culturels"],"yoast_head":"\nBarto et les amers de la ville<\/title>\n<meta name=\"description\" content=\"Propos culturels\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/williamchevillon.fr\/index.php\/2023\/03\/26\/barto-et-les-amers-de-la-ville\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta 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