{"id":103,"date":"2018-01-03T19:25:43","date_gmt":"2018-01-03T18:25:43","guid":{"rendered":"http:\/\/williamchevillon.fr\/index.php\/2018\/01\/03\/nicolas-regnier-a-nantes\/"},"modified":"2023-03-12T18:47:06","modified_gmt":"2023-03-12T17:47:06","slug":"nicolas-regnier-a-nantes","status":"publish","type":"post","link":"https:\/\/williamchevillon.fr\/index.php\/2018\/01\/03\/nicolas-regnier-a-nantes\/","title":{"rendered":"Nicolas R\u00e9gnier \u00e0 Nantes"},"content":{"rendered":"

Longtemps ferm\u00e9 au public, le mus\u00e9e d’arts (ou mus\u00e9e des beaux-arts) de Nantes a su maintenir une programmation d’expositions temporaires de qualit\u00e9. La peinture n\u00e9o-grecque en 2013 ou \u00c9tienne Cournault en 2015 font d’ailleurs partie des belles r\u00e9ussites de la p\u00e9riode de fermeture qui s’est achev\u00e9e en juin 2017. Apr\u00e8s la belle installation inaugurale de Susanna Fritschter, le patio du mus\u00e9e est investi, jusqu’au 11 mars 2018, par une formidable r\u00e9trospective consacr\u00e9e \u00e0 Nicolas R\u00e9gnier.<\/p>\n

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Les pr\u00e9curseurs et h\u00e9ritiers du Caravage sont \u00e0 l’honneur en 2017 et 2018. D’un c\u00f4t\u00e9, Vincenzo Campi est pr\u00e9sent\u00e9 dans l’exposition La grande bouffe \u00e0 Soissons (jusqu’au 11 mars), de l’autre, Valentin de Boulogne a \u00e9t\u00e9 tr\u00e8s justement mis en avant au Met puis au mus\u00e9e du Louvre. Aussi, il n’est pas surprenant de retrouver la sp\u00e9cialiste Annick Lemoine dans le commissariat scientifique de Valentin de Boulogne et d\u00e9sormais de Nicolas R\u00e9gnier. Docteur en histoire de l’art, Annick Lemoine est accompagn\u00e9e d’Adeline Collange-Perugi, conservatrice pour l’art ancien au mus\u00e9e d’arts, d’Oriane Lavit, conservatrice stagiaire du patrimoine, et naturellement de Sophie L\u00e9vy, directrice et conservatrice du mus\u00e9e. L’exposition, qui se d\u00e9ploie au centre du palais des beaux-arts propose quatre espaces. Deux sont d\u00e9di\u00e9s aux \u0153uvres, les autres, plus modestes, offrent une approche plus ludique, notamment pour le jeune public.<\/p>\n

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Environ quarante \u0153uvres sont pr\u00e9sent\u00e9es selon les p\u00e9riodes romaines et v\u00e9nitiennes de l’artiste. Arriv\u00e9 \u00e0 Rome autour de 1617, R\u00e9gnier reprend des codes propres \u00e0 Caravage d\u00e9c\u00e9d\u00e9 sept ann\u00e9es plus t\u00f4t. Le clair-obscur, parfois t\u00e9n\u00e9breux, et le r\u00e9alisme font partie de ces caract\u00e9ristiques. R\u00e9gnier s’emploie n\u00e9anmoins \u00e0 d\u00e9velopper son propre style. Une production faite de textures et de mim\u00e9tisme par rapport au r\u00e9el dans la suite de Manfredi, Ribera etc. Conserv\u00e9e \u00e0 Sarasota (Floride), la toile Saint Matthieu et l’Ange<\/i> est l’un des exemples significatifs de cette p\u00e9riode de l’artiste. Aussi, il n’est pas surprenant de retrouver Nicolas R\u00e9gnier au service de l’important collectionneur et m\u00e9c\u00e8ne Vincenzo Giustiniani. Pour lui, R\u00e9gnier ex\u00e9cutera une repr\u00e9sentation d’Hom\u00e8re d\u00e9concertante par rapport \u00e0 l’iconographie traditionnelle relative \u00e0 l’a\u00e8de. Assez rare pour \u00eatre soulign\u00e9e parmi les \u0153uvres expos\u00e9es, cette toile est l’un des nombreux pr\u00eats internationaux de l\u2019exposition.<\/p>\n

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\u00c0 Venise, Nicolas R\u00e9gnier poursuit son exploration des th\u00e8mes populaires et religieux en y ajoutant une touche plus fastueuse dans les d\u00e9cors notamment. R\u00e9alis\u00e9 vers 1640-1650, La mort de Sophonisbe<\/i> en est un bel exemple avec des tissus teint\u00e9s d’or et d’alizarine ainsi que la coupe de poison dont l’aspect nacr\u00e9 est moins conventionnel que d’ordinaire. Le reine numide qui refuse d’\u00eatre livr\u00e9e aux romains est \u00e9tonnamment repr\u00e9sent\u00e9e, au point que l’habituel caract\u00e8re m\u00e9lodramatique de la sc\u00e8ne est transcend\u00e9 en une mort glorieuse. Dans sa carri\u00e8re, Nicolas R\u00e9gnier a livr\u00e9 un certain nombre de portraits. Parmi les plus remarquables, la Jeune femme \u00e0 sa toilette<\/i> qui provient du mus\u00e9e des beaux-arts de Lyon. De Nicolas R\u00e9gnier dans sa p\u00e9riode v\u00e9nitienne, retenons \u00e9galement l’\u00e9mouvante repr\u00e9sentation de Saint S\u00e9bastien soign\u00e9 par Ir\u00e8ne et sa servante. <\/i>Pr\u00eat\u00e9e par la Ferens Art Gallery de Kingston-upon-Hull (Angleterre), la toile est d’une grande force sensible. Il s’agit de l’une des plus \u00e9minentes, mais n\u00e9anmoins m\u00e9connue, des tr\u00e8s nombreuses \u0153uvres consacr\u00e9es \u00e0 saint S\u00e9bastien.<\/p>\n

<\/figure>\n

Largement compl\u00e9mentaire, le catalogue \u00e9dit\u00e9 par Lienart est sign\u00e9 par les commissaires de l’exposition mais \u00e9galement par les sp\u00e9cialistes Patrizia Cavazzini, Francesca Cappelletti, Maria-Cristina Terzaghi et Linda Borean. L’ouvrage reprend le parcours de l’exposition tout en d\u00e9taillant l’univers dans lequel Nicolas R\u00e9gnier \u00e9volue et en proposant notamment un regard en \u00e9cho avec ses contemporains.<\/p>\n

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Reconnue d\u2019int\u00e9r\u00eat national par le minist\u00e8re de la Culture, l\u2019exposition Nicolas R\u00e9gnier, l\u2019homme libre<\/i>, est un rendez-vous immanquable de cet hiver. On appr\u00e9ciera la simplicit\u00e9 de la sc\u00e9nographie, la coh\u00e9rence du parcours et la chance de pouvoir assister \u00e0 la premi\u00e8re r\u00e9trospective consacr\u00e9e \u00e0 cet artiste dont la carri\u00e8re italienne m\u00e9rite d’\u00eatre connue.<\/p>\n

L’exposition est visible jusqu’au 11 mars 2018 aux horaires d’ouverture du mus\u00e9e d’arts de Nantes. Du lundi au dimanche (sauf le mardi) de 11h \u00e0 19h (nocturne jusqu’\u00e0 21h le jeudi).<\/p><\/blockquote>\n

Iconographie : Nicolas R\u00e9gnier, Saint Matthieu et l\u2019Ange<\/i>, Sarasota, John and Mable Ringling Museum of Art (droits r\u00e9serv\u00e9s). Nicolas R\u00e9gnier, Hom\u00e8re jouant de la lira da braccio<\/i>, vers 1620-1623, Potsdam, Stiftung Preussisches Schl\u00f6sser und Berlin-Brandenburg Bildergalerie von Sanssouci (BPK, Berlin, Dist. RMN-Grand Palais \/ Wolfgang Pfauder). Nicolas R\u00e9gnier, La Mort de Sophonisbe<\/i>, vers 1640-1650, Kassel, Museumslandschaft Hessen Kassel (clich\u00e9 personnel). Nicolas R\u00e9gnier, Jeune femme \u00e0 sa toilette <\/i>ou All\u00e9gorie de la Vanit\u00e9<\/i>, vers 1630-1635, mus\u00e9e des beaux-arts de Lyon (clich\u00e9 personnel). Nicolas R\u00e9gnier, Saint S\u00e9bastien soign\u00e9 par Ir\u00e8ne et sa servante<\/i>, Kingston-upon-Hull, Ferens Art Gallery (Bridgeman Images).<\/p>\n","protected":false},"excerpt":{"rendered":"

Longtemps ferm\u00e9 au public, le mus\u00e9e d’arts (ou mus\u00e9e des beaux-arts) de Nantes a su maintenir une programmation d’expositions temporaires de qualit\u00e9. La peinture n\u00e9o-grecque en 2013 ou \u00c9tienne Cournault en 2015 font d’ailleurs partie des belles r\u00e9ussites de la p\u00e9riode de fermeture qui s’est achev\u00e9e en juin 2017. Apr\u00e8s la belle installation inaugurale de […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-103","post","type-post","status-publish","format-standard","hentry","category-propos-culturels"],"yoast_head":"\nNicolas R\u00e9gnier \u00e0 Nantes - William Chevillon<\/title>\n<meta name=\"description\" content=\"Propos culturels\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/williamchevillon.fr\/index.php\/2018\/01\/03\/nicolas-regnier-a-nantes\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nicolas R\u00e9gnier \u00e0 Nantes - William Chevillon\" \/>\n<meta property=\"og:description\" content=\"Propos culturels\" \/>\n<meta property=\"og:url\" content=\"https:\/\/williamchevillon.fr\/index.php\/2018\/01\/03\/nicolas-regnier-a-nantes\/\" \/>\n<meta property=\"og:site_name\" content=\"William Chevillon\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/WilliamChevillonPro\" \/>\n<meta property=\"article:published_time\" content=\"2018-01-03T18:25:43+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-03-12T17:47:06+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/williamchevillon.fr\/wp-content\/uploads\/2018\/01\/tumblr_inline_pqk9d1C58F1ry62m5_540.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"540\" \/>\n\t<meta property=\"og:image:height\" content=\"419\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"William Chevillon\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/williamchevillon.fr\/wp-content\/uploads\/2018\/01\/tumblr_inline_pqk9d1C58F1ry62m5_540.jpg\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"William Chevillon\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/williamchevillon.fr\\\/index.php\\\/2018\\\/01\\\/03\\\/nicolas-regnier-a-nantes\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/williamchevillon.fr\\\/index.php\\\/2018\\\/01\\\/03\\\/nicolas-regnier-a-nantes\\\/\"},\"author\":{\"name\":\"William Chevillon\",\"@id\":\"https:\\\/\\\/williamchevillon.fr\\\/#\\\/schema\\\/person\\\/eb30f03250952b7079f827caba706872\"},\"headline\":\"Nicolas R\u00e9gnier \u00e0 Nantes\",\"datePublished\":\"2018-01-03T18:25:43+00:00\",\"dateModified\":\"2023-03-12T17:47:06+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/williamchevillon.fr\\\/index.php\\\/2018\\\/01\\\/03\\\/nicolas-regnier-a-nantes\\\/\"},\"wordCount\":901,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/williamchevillon.fr\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/williamchevillon.fr\\\/index.php\\\/2018\\\/01\\\/03\\\/nicolas-regnier-a-nantes\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/64.media.tumblr.com\\\/3486c926b58ae1e6b7f0be99aa0f88f2\\\/tumblr_inline_pqk98c9LjS1ry62m5_540.jpg\",\"articleSection\":[\"Propos culturels\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/williamchevillon.fr\\\/index.php\\\/2018\\\/01\\\/03\\\/nicolas-regnier-a-nantes\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/williamchevillon.fr\\\/index.php\\\/2018\\\/01\\\/03\\\/nicolas-regnier-a-nantes\\\/\",\"url\":\"https:\\\/\\\/williamchevillon.fr\\\/index.php\\\/2018\\\/01\\\/03\\\/nicolas-regnier-a-nantes\\\/\",\"name\":\"Nicolas R\u00e9gnier \u00e0 Nantes - 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